Ebb and Flow: a solo exhibition by Kathleen Dunphy

I had the chance to attend the opening of Kathleen Dunphy’s solo exhibition, Ebb and Flow, at Knowlton Gallery in Lodi, California, this past weekend. Twenty-six paintings fill the gallery at Knowlton with light and—I have no other word for it—grace. The works range from still lifes of flowers in glass vases, to cows quietly watching the watcher, to fog rolling onto the Marin Headlands. Some were created on site, en plein air; many are larger studio pieces. (A couple of the pieces are 36″ by 48″, and one is 48″ by 60″.)

Kathleen Dunphy at Knowlton Gallery
Kathleen Dunphy discusses how she painted “Sanctuary” from the small plein air sketch in her hand. At the opening of Ebb and Flow, October 2012. Photo by Stephanie Benedict

The landscapes, especially, have a grandeur and immediacy to them that stops you in your tracks. And it’s not the plein air pieces, so full of the energy, that strike you. No, it’s the big ones. So often, enlarging a smaller painting results in a loss of the energy of the original work. However Dunphy did it, whether by creating a new composition by using multiple sketches as the source material or what, she has given the larger pieces a different kind of energy: less visceral, perhaps, but more intense.

I overheard another artist at the opening say, as the highest compliment he could pay, “I wish I’d painted this.” Well—me, too.

(Full disclosure: I’ve taken several of Dunphy’s workshops. I’m a huge fan, so this is not an unbiased review.)

I’ve long maintained Dunphy is an incredibly generous teacher. She was also generous with visitors at the opening. The 30 or so people who attended last Saturday afternoon got to hear Dunphy describe how she uses her small plein air sketches as source material for her larger pieces. Her stories of trying to catch the light before the fog engulfed the view, or heading out for trip to the Sierras and forgetting all but one brush, helped give each painting a life beyond mere canvas. They also helped her listeners understand a bit of what it’s like to be a painter.

It’s also nice to see all the red dots at the exhibition.  But then, most of Dunphy’s paintings sell.  So if you’re interested, act quickly.

Brava!

Ebb and Flow: Painting Nature’s Rhythms is at Knowlton Gallery in Lodi through November 24, 2012.

 

Advertisements

2 thoughts on “Ebb and Flow: a solo exhibition by Kathleen Dunphy

  1. Hi Stephanie, I followed the link on Kathleen’s website here to your blog – what a wonderful writer and artist you are!! I met you at Kathleen’s first No Whiner’s workshop – Kathryn Grider, lol the one with her husband tagging along ( bless his big ole heart) Any way I am glad I followed the link
    and recognized you. I sure wish I could have gone to Kathleen’s show opening – I agree with you
    she is a wonderful and generous artist and instructor.

Comments are closed.